Monday, February 07, 2005
What ails Kannada film industry???
Watched the Kannada film Rshi this weekend. First of all, they had pronounced it wrong in Kannada itself....itz nor rishi, it should be rshi. Anywayz, one of friends had come back from US, and we thought letz watch a Kannada movie with him. In the end, he could not make it (the regular flow of visitors immediately after you come back after a long stay abroad!). I was vouching for Joke Falls, but one of my friends - who has turned into an extremist supporting the cause of Kannada movies after he came back from UK - pestered us into watching Rshi.
Although Rshi had traces of Main Hoon Na, I would not like to deny it the credit for originality. The story is pretty uncommon, and could have been made into a good movie. What prevented it from becoming a good movie is the lack of guts of the director to do away with the stereotypes.
Some steroetypes I found in the movie that could have easily been done away with:
1. The way Hari gets hooked to drugs - could have shown it in a more realistic fashion rather than the typical filmi style
2. Shivrajkumar's entry in the film - typical hero-worshipping style made for the front benchers
3. Hari's recovery from drug addiction - absolutely no thought has gone into this. Recovery from drug addiction is not a very easy thing, and should not have been relegated to one scene of Hari revolving in the bed.
4. The breakup between Rshi and his fiancee - c'mon get realistic! Nobody would shrug-off an engagement with a single statement loaded with hidden meanings and wait for coincidence to bring them together again.
5. The disclosure of truth to Hari - filmy, very filmi
6. The final acceptance from Hari - again very filmi, with the regular dose of accidents, ICU, etc
7. The travails of a single, unmarried woman in bringing up a child - the director could have showed something different other than the regular schol admission and road-side gestures
8. Relation b/w the Hari and his grandma - What the director could have done better is to showcase the challenges of having a drug addict staying with you, esp when you are a single old woman. How about drug addicts murdering their family members for the sake of money.
The bottomline is that it was a poorly researched venture. The director cared two hoots to pass a message about drug addiction. His aim was to make a film to cater to the front benchers. The storyline was just a coincidence. It was not meant for an intelligent audience.
This begs the question - what ails Kannada film industry? Why are we getting absolutely non-sensical films made with no thought whatsoever? I refuse to accept that the audience is not mature. Although I cannot give an example of audience accepting a good intelligent movie - because I dont think there has been one in a long long time! - the fact that there have been Tamil films with off-beat themes - like the Mani Ratnam movie about SriLanka (I forgot the name) - handled well and made intelligently, and accepted by the audience - one can say that even Kannada people are ready for good films.
The real problem is the self-denial mode that people have got into. By trying to blame other language films for the ills ailing us, blaming the govt for not supporting it, blaming the "outsiders" for not watching it, blaming the localites for lack of pride in the language, the list goes on. We are not trying to look within and see why the films we make does not compare with the standard elsewhere. I'm not saying the quality of the films are not improving, they definitely are, but as Arun Shourie always points out, the whole world is improving. Itz not enuff we improve, we need to improve more than others do so that we do not get left behind.
After I came back from Rshi, I switched on the TV amd the Ritoparno Ghosh movie RainCoat. And now I see the reviews of the film Black. I guess one needs to watch these to find out what is different b/w a run-of-the-mill movie and a well-made movie. Hope the Kannada film industry comes out of the self-denial mode and works towards improving the quality rather than quick-fixes. Amen.
The weak have no place here, in this life or in any other life. Weakness leads to slavery. Weakness leads to all kinds of misery physical and mental. Weakness is death.
-Swami Vivekananda
Watched the Kannada film Rshi this weekend. First of all, they had pronounced it wrong in Kannada itself....itz nor rishi, it should be rshi. Anywayz, one of friends had come back from US, and we thought letz watch a Kannada movie with him. In the end, he could not make it (the regular flow of visitors immediately after you come back after a long stay abroad!). I was vouching for Joke Falls, but one of my friends - who has turned into an extremist supporting the cause of Kannada movies after he came back from UK - pestered us into watching Rshi.
Although Rshi had traces of Main Hoon Na, I would not like to deny it the credit for originality. The story is pretty uncommon, and could have been made into a good movie. What prevented it from becoming a good movie is the lack of guts of the director to do away with the stereotypes.
Some steroetypes I found in the movie that could have easily been done away with:
1. The way Hari gets hooked to drugs - could have shown it in a more realistic fashion rather than the typical filmi style
2. Shivrajkumar's entry in the film - typical hero-worshipping style made for the front benchers
3. Hari's recovery from drug addiction - absolutely no thought has gone into this. Recovery from drug addiction is not a very easy thing, and should not have been relegated to one scene of Hari revolving in the bed.
4. The breakup between Rshi and his fiancee - c'mon get realistic! Nobody would shrug-off an engagement with a single statement loaded with hidden meanings and wait for coincidence to bring them together again.
5. The disclosure of truth to Hari - filmy, very filmi
6. The final acceptance from Hari - again very filmi, with the regular dose of accidents, ICU, etc
7. The travails of a single, unmarried woman in bringing up a child - the director could have showed something different other than the regular schol admission and road-side gestures
8. Relation b/w the Hari and his grandma - What the director could have done better is to showcase the challenges of having a drug addict staying with you, esp when you are a single old woman. How about drug addicts murdering their family members for the sake of money.
The bottomline is that it was a poorly researched venture. The director cared two hoots to pass a message about drug addiction. His aim was to make a film to cater to the front benchers. The storyline was just a coincidence. It was not meant for an intelligent audience.
This begs the question - what ails Kannada film industry? Why are we getting absolutely non-sensical films made with no thought whatsoever? I refuse to accept that the audience is not mature. Although I cannot give an example of audience accepting a good intelligent movie - because I dont think there has been one in a long long time! - the fact that there have been Tamil films with off-beat themes - like the Mani Ratnam movie about SriLanka (I forgot the name) - handled well and made intelligently, and accepted by the audience - one can say that even Kannada people are ready for good films.
The real problem is the self-denial mode that people have got into. By trying to blame other language films for the ills ailing us, blaming the govt for not supporting it, blaming the "outsiders" for not watching it, blaming the localites for lack of pride in the language, the list goes on. We are not trying to look within and see why the films we make does not compare with the standard elsewhere. I'm not saying the quality of the films are not improving, they definitely are, but as Arun Shourie always points out, the whole world is improving. Itz not enuff we improve, we need to improve more than others do so that we do not get left behind.
After I came back from Rshi, I switched on the TV amd the Ritoparno Ghosh movie RainCoat. And now I see the reviews of the film Black. I guess one needs to watch these to find out what is different b/w a run-of-the-mill movie and a well-made movie. Hope the Kannada film industry comes out of the self-denial mode and works towards improving the quality rather than quick-fixes. Amen.
The weak have no place here, in this life or in any other life. Weakness leads to slavery. Weakness leads to all kinds of misery physical and mental. Weakness is death.
-Swami Vivekananda
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